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ONE:"But didn't the other people object?" said Arthur.Near the archery grounds there was a collection of so-called wax-works, and the Doctor paid the entrance-fees for the party to the show. These wax-works consist of thirty-six tableaux with life-size figures, and are intended to represent miracles wrought by Ku-wanon, the goddess of the temple. They are the production of one artist, who had visited the temples devoted to Ku-wanon in various parts of Japan, and determined to represent her miracles in such a way as to instruct those who were unable to make the pilgrimage, as he had done. One of the tableaux shows the goddess restoring to health a young lady who has prayed to her; another shows a woman saved from shipwreck, in consequence of having prayed to the goddess; in another a woman is falling from a ladder, but the goddess saves her from injury; in another a pious man is saved from robbers by his dog; and in another a true believer is overcoming and killing a serpent that sought to do him harm. Several of the groups represent demons and fairies, and the Japanese skill in depicting the hideous is well illustrated. One of them shows a robber desecrating the temple of the goddess; and the result of his action is hinted at by a group of demons who are about to carry him away in a cart of iron, which has been heated red-hot, and has wheels and axles of flaming fire. He does not appear overjoyed with the free ride that is in prospect for him. These figures are considered the most remarkable in all Japan, and many foreign visitors have pronounced them superior to the celebrated collection of Madame Tussaud in London. Ku-wanon is represented as a beautiful lady, and in some of the figures there is a wonderfully gentle expression to her features. TWO:"Pretty middling," said Mrs. Masters, reluctantly, "although at first I was put out by her manners. Such airs these modern young women give themselves. But she got round me in the end with her pretty ways, and I found myself taking 'er all round the 'ouse, which of course I ought not to 'ave done without your permission."

ONE:

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THREE:From their own observations and the notes and accounts of travellers who had preceded them, the boys made the following description of Pekin:The road wound among the fields where the rice was growing luxuriantly, and where now and then they found beans and millet, and other[Pg 165] products of Japanese agriculture. The cultivation was evidently of the most careful character, as the fields were cut here and there with little channels for irrigation; and there were frequent deposits of fertilizing materials, whose character was apparent to the nose before it was to the eye. In some places, where the laborers were stooping to weed the plants, there was little more of them visible than their broad sun-hats; and it did not require a great stretch of the imagination to believe they were a new kind of mushroom from Brobdingnagian gardens. Hills like sharply rounded cones rose from each side of the narrow valley they were descending; and the dense growth of wood with which the most of them were covered made a marked contrast to the thoroughly cleared fields. The boys saw over, and over, and over again the pictures they had often seen on Japanese fans and boxes and wondered if they were realities. They had already learned that the apparently impossible pictures we find in Japanese art are not only possible, but actual; but they had not yet seen so thorough a confirmation of it as on this day's ride.